Browse by Module code: FLM2034

Number of items: 8.

Queer and Present Danger

RICH, B. R., 2000. Queer and Present Danger. Sight and Sound. 10 (3). pp. 22-25.

Shared with the University by

WILLIS, S., 1998. High Contrast: Race and Gender in Contemporary Hollywood Film. London: Duke University Press. Chapter 5.

Shared with the University by

Women's Cinema as Counter-Cinema

THORNHAM, S., 1999. Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press. Chapter 3.

Shared with the University by

BOGLE, D., 2003. Toms, Coons, Mulattoes, Mammies & Bucks. 4th ed. New York: Continuum. Chapter 1.

Shared with the University by

Encoding/Decoding

MORRIS, P. and THORNHAM, S., 2009. Media Studies: A Reader. 3rd ed. Edinburgh: Edinburgh University Press. Chapter 3.

Shared with the University by

Film Feminism and the Avant-Garde

O'PRAY, M., 1996. The British Avant-Garde Film, 1926 to 1995. Luton: John Libbey Media. pp. 199-216.

Shared with the University by

New Queer Cinema: An Introduction

AARON, M., 2004. New Queer Cinema: A critical reader. Edinburgh: Edinburgh University Press. Chapter 1.

Shared with the University by

KABIR, S., 1998. Daughters of Desire: Lesbian Representations in Film. London; Washington, DC: Cassell. Chapter 2.

Shared with the University by

This list was generated on Tue Jul 10 21:23:33 2018 UTC.

eShare is powered by EdShare2 running on EPrints 3 which is developed by the School of Electronics and Computer Science at the University of Southampton. More information and software credits.

Export as	Atom RSS 1.0 RSS 2.0