Biography:
I joined Edge Hill University in 2007 from UWE Bristol as a Reader in Education where I had held an AHRC research fellowship in masculinity and singing. I became Head of Research in 2008. I had previously taught for seventeen years in maintained and independent schools and before that, worked for the BBC in television film sound. My main research interest is in boys’ participation in choral singing and the development of boys’ voices during early adolescence. I have published two books and a substantial number of research papers about this. Two further books on this topic are currently in press. At Edge Hill I received a second large research grant from the AHRC to work with the National Youth Choirs of Great Britain and the University of York. I continue to promote training and developmen
more...I joined Edge Hill University in 2007 from UWE Bristol as a Reader in Education where I had held an AHRC research fellowship in masculinity and singing. I became Head of Research in 2008. I had previously taught for seventeen years in maintained and independent schools and before that, worked for the BBC in television film sound. My main research interest is in boys’ participation in choral singing and the development of boys’ voices during early adolescence. I have published two books and a substantial number of research papers about this. Two further books on this topic are currently in press. At Edge Hill I received a second large research grant from the AHRC to work with the National Youth Choirs of Great Britain and the University of York. I continue to promote training and development in "Cambiata" vocal work for adolescent voices through the Boys Keep Singing project. I am now a trustee and board member of the Association of British Choral Conductors where I am active in the development of choral education for secondary school music teachers. I have been a member of the European research network Choir in Focus and an adviser for the national Sing Up campaign. I retired from my position as Head of Research in April 2013 and continue my research into more technical areas of vocal work with boys. I have recently completed an extensive investigation into changes in the timing of puberty and voice change. Current work is is examining the accuracy of individual voices within the choral blend and the pedagogical implications for the development of aural acuity in music learning. A further project is looking at the development of a rating scale for singing anxiety. This is linked to similar work in mathematics anxiety where I am mentoring an Edge Hill project that is examining the relationship between anxiety and flow in mathematics lessons.